August, 23 2010

I have added a Grooveshark player to my site!

June, 2 2010

Here are three new tracks from this year.

At Home in Bed features Forest Lane on bass guitar. Enjoy!

February, 20 2010

Here is a new track from this year. Hymn to the Deep Ones is another chill-out, acid creation featuring TB303 and vocal samples. Enjoy!

I have started a facebook page. Show your interest and become a fan!

December, 3 2009

Glacial Cebrenia is now available on Apple Itunes.

December, 2 2009

A review of Glacial Cebrenia.

Acid Ambient Abstractica? You'll never know unless you hear it!

author: Ray Brown

Yes, this album defies categorization, and that's precisely why you need to listen to it. Written, performed and produced by one man electronica wrecking crew Noah Cohn, Glacial Cebrenia will take you on an insane journey through 80 minutes of chilled out chaos. Synthetic drum machines, percolating arpeggios and screaming acid lines sit alongside piano and guitar in an unholy union of acoustic and electronic. Chock full of bizarre yet catchy fusions of electronic genres, this album is an eclectic tour de force from Cohn and deserves a spot on your iPod.

November, 18 2009

The new, 2009 album is available now at CDBaby.com for just $3 in MP3. It is 15 tracks that fill a whole 80 minute CD. Chill-out creations that are super upbeat and carry on the experimental, fun journey of the previous releases.

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1. Wisdom of the Sky
2. Glacial Cebrenia
3. Thereupon the Rain
4. Nave della Stella
5. Autumn Spirits
6. Blanco del Fantasma
7. Regnat Populus
8. Cakkavattaka
9. Noche Radiante
10. The Shining Stream
11. Torrential Flow
12. Splash and Dash
13. At the Wolf's Den
14. Summer Air
15. Wolkenlied

July, 24 2009

Noah's distributor, CDBaby, has transformed. You can now buy individual Noah Cohn songs for $0.50 or less or get any of his 80 minute albums for $3.

June, 5 2009

A review of the album No Accidents

By Noah Cohn

There is no such thing as chance; and what seems to us the merest accident springs from the deepest source of destiny.

--Friedrich Schiller

Though he’s only 28, Noah Cohn has already proven himself as a mature and sophisticated musician, and his latest work, No Accidents, pops, buzzes, and sparkles with inspiring, up-beat electronic dance tracks. With diverse and dissimilar influences, ranging from contemporary euro-pop to 1960’s psychedelic rock, Cohn defies the boundaries of any given genre. His proprietary blend of eclectic influences work together beautifully in this, his fourth full album, and in general, No Accidents is more consistently pleasing and danceable than some of his earlier work. No Accidents is sure to satisfy any fan of experimental electronic music, from acid house to drum and bass, and is sure to send any true Kraftwerk fan into fits of digitally induced euphoria.

Cohn’s no newcomer to the techno scene, in fact, he’s been composing, performing, and recording for over a decade—and it shows. Both his musical skills and his equipment have developed since he first began experimenting with the Swedish made program “Rebirth-338” in 1998, and No Accidents is the culmination of diligent effort, hard-won musical skill, and technical know-how.

Cohn’s come a long way since the release of his first album, Go With Love, in 2004, and his growth is audible in the variety, depth, and complexity of the tracks on No Accidents—from the dark, driving, desperate sounds of “It’s an Old Game,” to the joyful laid-back harmonies of “Tunnel to Canada.” Intricate rhythms and pleasant melodies abound on this album, and so much is going on in every single track that listeners are sure to hear something new on each consecutive playing.

Uncompromisingly experimental and unflinchingly inventive throughout, No Accidents is by no means a pop album, but this is not to say that it is without popular appeal. The title track is catchy from, beginning to end, and even wildly experimental pieces such as “Cuts the Darkness” and “Euclidean Space” are highly accessible. For those who can’t do without vocals, “Stacy’s Birthday” is a surefire hit, recalling the sounds of early techno bands such as Depeche Mode and New Order, Cohn proves with this track that no instrument is out of place in his music, including the human voice. Cohn’s vocals have a unique and eerie quality, and because he blended several vocal tracks together a la The Beatles, they have a depth that blends impeccably with the layered techno-instrumentals. The same can be said of the bass track by Forest Lane on “Jelly Jam,” which also happens to be the only track on the album that features a guest artist.

At times it’s hard to believe that this album was composed, performed, and recorded by a single artist, but some people are just that talented, and Cohn’s one of them. His talent and expertise in every facet of music creation and production are enviable. The road ahead is sure to be filled with both artistic and commercial success for this talented young and upcoming artist.

--- Christopher Hall - The North Coast Journal, Humboldt County, Calif